Saturday, March 1, 2008

Who says money can't buy happiness?


Instead of staying inside and finishing my taxes I went out today to get some sun and do a little shopping. While browsing at A Capella Books, I came across a copy of The Machine in Ward Eleven by Charles Willeford. Since I had just finished Made in Miami earlier in the week Willeford was very much on my mind, and I couldn't resist.

It's a near fine first edition. Aside from one slight imperfection on the spine there's no evidence the book has ever been opened. Unusual for a paperback original. It is a thing of beauty.

I'm not really the kind of person much inclined to impulse buying. Most of the time when I go out I know exactly what I need, and that's what I buy. Sometimes, however, you've gotta give in. Now, I just have to find a beat up copy that I won't be afraid to read.

Review of Made in Miami


Made in Miami by Charles Willeford (Point Blank, 2008) is not a lost masterpiece on the order of The Black Mass of Brother Springer or Cockfighter. It is, however, a valuable contribution to the body of Willeford’s in-print work and shows that even when Willeford was not mining his signature themes of obsession and maintaining artistic integrity in the face of an indifferent world as deeply as he could, he still managed to keep them in mind and in print.

In an article that first appeared in First, the Book Collector’s Magazine, and is currently reprinted on his Web site, Don Herron writes that someone at Beacon, Willeford’s publisher at the time, suggested he imitate prolific author Orrie Hitt. Hitt wrote hundreds of novels and exactly none of them are in print today. The man doesn’t even rate a Wikipedia entry, which is a sure sign of being completely forgotten.

Hitt's influence is present in this novel, though, which is unfortunate. Originally published under the title, Lust is a Woman, Made in Miami, is probably as close to an actual sleaze novel as anything Willeford ever published. Willeford spent his early career writing for publishers who catered to men’s prurient interests, but his books were never about sex. He managed to put into print books that were more likely to get blood flowing to the brain than they were to points south.

Made is largely about sex, though. It’s a simple boy meets girl, boy loses girl to pimp, boy loses it when girl starts turning tricks story, but even when Willeford is off, he’s on. While the book does not mine any of Willeford’s signature themes very deeply, Willeford was also unable to suppress his literary instincts entirely and there are still flashes of brilliance, as when Ralph Tone, the protagonist, an art student and hotel elevator operator, laments that he will “never be the artist [he] wanted to be, following [his] own ideas, wrong or right.” At that point it’s almost as if the author is talking to himself, wondering what he’s doing trying to write like Hitt. It is fortunate that Willeford did not that suggestion too much to heart.

Wednesday, February 27, 2008

Tuesday, February 26, 2008

And the winner is...

Robert Sanker. Who will be receiving a copy of of How the Dead Live by Derek Raymond in the mail in the near future. Thanks to everyone who entered the contest.

Saturday, February 23, 2008

The Latest Hard Case Crime Newsletter...

is full of interesting news. The latest title is Gun Work by David Schow, the guy who wrote the screenplay for The Crow, a movie that didn't suck. It's scheduled for a November publication.


There's even more interesting news, though, including this intriguing tidbit:

"Looking ahead to 2009, we'll be kicking off the year with a new discovery of a truly obscure long-lost title by the great Lawrence Block -- and though we're not announcing just what it is yet, let me just say that a recent headline story in the newspapers gave us a bit of a start. Let the guessing begin!
" - So, does anyone have any guesses?

Then there's this:


What's cooking for later in '09? We've got another Westlake, a real powerhouse novel appearing for the first time under the title the author originally intended ("THE CUTIE"); we've got the late Roger Zelazny's never-before-published international thriller THE DEAD MAN'S BROTHER; and we've got a terrific hard-boiled detective novel called HOUSE DICK about skullduggery in a Washington D.C. hotel, written by none other than...E. Howard Hunt. Yes, *that* E. Howard Hunt. (If you're too young to remember him, look him up online. Just know that though he achieved notoriety for other activities, he was also one of the most prolific and consistently engaging crime writers of the paperback era.)

I had no idea Hunt had authored a novel about a hotel detective. Now that is funny.

Friday, February 22, 2008

New Crime Fiction on the Web

Plots with Guns has risen from the grave.

Seth Harwood, who has a book coming out very soon, begins his third Jack Palms podcast story this Sunday. If you've missed the others you've got a chance to get in on the ground floor with this one.


Thursday, February 21, 2008

More on Mara

Ed Gorman has a post on Bernard Mara (a.k.a. Brian Moore), the author of the book featured as the Wednesday Paperback Cover this week. I gotta quit hanging out on the Internet. I keep learning stuff.

Wednesday, February 20, 2008

A Clarification

I just wanted to point out that when I called How the Dead Live, "a hellish piece of work that's guaranteed to ruin your day," I meant it as an endorsement. That seems to have caused a little confusion with at least one person. So don't let that description discourage you from entering the contest to win it.

Wednesday Paperback Cover


Continuing the bullet theme from last week.

Monday, February 18, 2008

Win How the Dead Live


I just finished Derek Raymond's How the Dead Live, which Serpent's Tail is publishing in the States in May. It's a hellish piece of work that's guaranteed to ruin your day, and I've got a spare copy, so I'm giving it away. Lucky, lucky you. I'll pick the winner a week from today. To enter the contest send an email to IndieCrime-at-gmail-dotcom with your mailing address. I'll number the entries as they're received and then use a random number generator to pick the winner.