Tuesday, November 24, 2009

Goodbye Baby at A Twist of Noir

I know I said I was shuttering the blog for a couple weeks during my vacation, but I just wanted to point out that my story "Goodbye Baby," which was available for about 5 minutes in the final issue of Demolition, is up at A Twist of Noir. I am rather fond of this story because it turned out to be something more than what I intended. It ended up being much more quiet than what I originally set out to write, and I think that made it a much better story than it would have been otherwise. I was quite sad when Demolition disappeared from the Web and this one went down the memory hole. Anyway, I hope you like it.

Sunday, November 22, 2009

Independent Crime Takes a Holiday

I'm making it official. I haven't shuttered the blog since I started it, but I'm about to go away for two weeks with limited to no Internet access, so I'm also taking a break from the blog. Have no fear, I'm taking a couple of books with me for review, and I'll be back around the second week of December or so, but I need a break from my life. So, I'm off to the middle of nowhere. Everyone have a great Thanksgiving, and try not to let the world fall into anarchy while I'm away.

Saturday, November 21, 2009

Delayed Paperback Cover

Sorry for the delay. Anyway, this one's from Hard Case, and I like it.

Thursday, November 19, 2009

My Apologies on the Wednesday Paperback Cover

I've been having technical difficulties. As soon as I get it sorted out, I'll get something up.

Saturday, November 14, 2009

The Killer Inside Me: Pushing Buttons

First off, I'm reposting the trailer for The Killer Inside Me, since YouTube seems to have taken it down. Secondly, prompted by this blog post, and it's concern about the film's depiction of violence against women,I went back and reread Thompson's book, which I had not looked at in many years. My first observation was that the trailer seems to show a film that shows remarkable fidelity to its source material. The story, as far as I can tell, is the same as the book's, and even has a lot of dialogue lifted verbatim from the book. That makes me optimistic about the film, even though Casey Affleck, Jessica Alba and Kate Hudson aren't exactly the greatest actors in the world.

Now,I'll make a frank assessment: The violence depicted in the trailer isn't the result of some Hollywood desire to tart up Thompson's book with titillating and shocking detail. It comes straight from the novel. The filmmakers seem to have actually toned down the initial meeting between Lou Ford and Joyce (Jessica Alba's character). In the book, Ford beats Joyce until she's unconscious and then revives her. When she comes to, she comes onto him. It's an uncomfortable scene, but not nearly as uncomfortable as the scene where Lou kills her. The trailer is graphic, but so is the book. Lou describes killing Joyce as, "like pounding a pumpkin. Hard, then everything giving away at once." If that imagery weren't disturbing enough, Joyce, who is clearly almost as screwed up in the head as Lou, asks for a goodbye kiss while she is being beaten.

The murder of Amy Stanton (played by Kate Hudson in the upcoming film) in the book is even worse. Lou hits her in the stomach, and "[his] fist went back against her spine, and the flesh closed around it to the wrist. " After that vicious blow, Amy falls and the floor, and Lou sits there and watches her die. Then he kicks her in the head for good measure. I've got to say, this scene, particularly the description of the punch, stayed with me for years. I remembered it long after I had forgotten most of the book's story.

Now, Lou Ford is a complex character. His violence is not just reserved for women. He kills men. He puts cigars out on vagrants for fun. He corners people and repeats corny cliches just to watch them squirm, but the worst violence of the book is reserved for women because Lou Ford has a complex relationship with the opposite sex. Without giving too much away, let's say that what torments Lou, aside from an inherited tendency toward sadism, is his relationship with women. To say more than that would be telling, but Thompson isn't going for misogynistic thrills. He's doing a character study of a man who has an inner life he hides from the world, and a public face at odds with his true self.

The Killer Inside Me was published in 1952, seven years before Robert Bloch's Psycho (another novel that hinges on a killer's complicated relationship with women). You can probably lay a lot of blame at Thompson's feet for the boring and repetitive serial killer fiction that clogs up the crime fiction section of your local bookstore, but it would be a mistake to accuse him of misogyny. It's not a theme that runs throughout his work. Thompson, like Bloch, wrote a lot of novels, and they're quite different, with different types of characters.

Similarly, it would be a mistake to accuse the filmmakers of misogyny for bringing Thompson's disturbing story to the screen. Artists have no obligation to preach, or try to instruct, or to worry about whether their work depicts something that's "dangerous." If you can't depict "dangerous" behaviors or ideas in fiction, then where exactly can you depcit them? I can see how The Killer Inside Me trailer might make the author of that blog post uncomfortable. It's not based on a Little Golden Book. The book is disturbing. It's meant to be. Dismissing The Killer Inside Me, as "no better than a snuff film," however, based on five minutes of footage, an obvious ignorance about the source material and a misplaced sense of self righteousness
seems silly, although such controversy will undoubtedly end up helping at the box office.

Bonus video: MC 900 Foot Jesus raps from the POV of Lou Ford in his 1991 song "The Killer Inside Me."

Thursday, November 12, 2009

Wednesday, November 11, 2009

Wednesday Paperback Cover

Is Tonking a place or the sound one makes when being choked?

Wednesday, November 4, 2009

Wednesday Paperback Cover

Mercury Mysteries specialized in abridged digests of novels. I have a rare short story collection by Woolrich that was reprinted that way, and a Nicholas Blake (father of Daniel Day Lewis) but I had no idea Brewer was one of their reprints. It's hard to abridge a Brewer.

Tuesday, November 3, 2009

The History Behind The Big Wake Up

Over at The Rap Sheet Mark Coggins has an interesting post about the history behind his latest novel, The Big Wake Up. I, for one, had no idea how much of the book's story had a historical basis. I assumed he was taking liberties with some of the more outlandish aspects, but no.