Wednesday Paperback Cover

It can't smell good.

New Pulp Press in New York

New Pulp Press's latest offering, Bad Juju by Jonathan Woods has made New York Magazine's approval matrix. You can't buy that type of publicity (especially if you're a small press. It's cost prohibitive.) This makes me feel bad about not picking up this collection sooner. It's been sitting on my dresser for a while now.

Review of Killer

Here is my long delayed review of Killer. It's the book I was reading when I had the fire. For some reason, I've been unable to pick it up again until recently.

Dave Zeltserman concludes his "Man out of Prison" trilogy with Killer, a much more subdued take on the story than his previous efforts, Small Crimes and Pariah. Where the first two novels were bloody messes all the way through, Killer is a much subtler affair. Leonard March was a hitman for the Lombard crime family for a long time, but when he finally got caught committing some non-murderous crimes, he managed to cut himself a deal with immunity before confessing to twenty-eight paid killings for crime boss Sal Lombard.

For his deal, March gets fourteen years in prison, and when he walks free, he tells himself he's going to go straight and live a quiet, anonymous life. Of course, it's not easy to live a quiet life when you've got a list of enemies as long as your arm, and March doesn't make it any easier on himself by inviting publicity when he foils a liquor store robbery.

Killer, while an entertaining novel, lacks the punch of Pariah. Pariah was as close to perfect as a novel can get, so comparing the two may be unfair. Still, Killer, feels almost perfunctory when compared to either of his previous studies in evil. March isn't as compelling as either Joe Denton or Kyle Nevin, both of whom were real pieces of work, and the story ends a little abruptly. It feels a bit rushed at the end, which is disappointing because so much of the novel is setup. Zeltserman also picks up a couple of plot threads that never really go anywhere, which isn't like him.

As I said, though, Killer is a letdown only when compared to Zeltserman's previous efforts. As an author, you're in a pretty good shape if the only competition you have is yourself. Taken on its own, Killer is still very good. It's just not great, and not a great introduction to Zeltserman's work. It would be possible for a reader to pick up this novel and wonder what all the fuss has been about. Do yourself a favor and read one of the first two novels in this trilogy before approaching Killer.

Wednesday Paperback Cover

Which end are we talking about?

Short Fiction For You

I've been slacking on the posting lately, but it's not because I've been lazy. I've been busy. Work is nuts, I'm still dealing with the aftermath of the fire, and I've been working pretty hard on fiction of my own. In fact, I think I just finished the best story I've ever written. I'm going to give it a couple of weeks and see how I feel about it. In the meantime, Here's some Web short fiction you should be checking out.

Thuglit

Plots with Guns

Crimefactory (the publication I've got my eye on for this next story. They're publishing some intimidating names, like Ray Banks and Dave Zeltserman, but I think I've got a winner here.)

Oh, and in case you're keeping score at home, this year I've had one fire, and now one attempted burglary (which is why I'm at home today. I'm kind of hoping they'll come back and try to finish breaking in. And yeah, I'm beginning to feel a little like Job.) The upside is that I've been experiencing a rather fertile creative period.

Shot to Death Blog March

So, today I bring you a guest post from Stephen D. Rogers, whose debut book of stories Shot to Death is available from Mainly Murder Press. In this post, he explains how he came up with the opening line for one of the book's stories.


SHOT TO DEATH Blog March They say blondes are dumb but then they also say that crime doesn't pay. - ITCHING FOR SCRATCH So begins one of the 31 stories contained in SHOT TO DEATH (ISBN 978-0982589908). Within that beginning lurks the ending to the story and everything that happens between the beginning and the end. Or at least it seems that way to me. What we have here is bad logic. The assumption seems to be that since people are wrong about crime not paying, they're also wrong about blondes being dumb. While it's been a long time since I studied logic, that reasoning seems faulty. Grid the statements out, and there are four possibilities. Dumb and not paying. Dumb and paying. Not dumb and paying. Not dumb and not paying. And while I know that blondes are not dumb, the particular blonde in the story may well be, just as the typically not-paying crime may in this story pay, or vice versa. Now complicate the matter by going three-dimensional. Is the narrator blonde or not blonde? Complicate the matter even further by throwing in bleached blonde. At least we can be fairly certain the narrator is a woman, since "blonde with an e" is generally used to refer to women and "blond without an e" is generally used to refer to either sex. Unless the narrator is from Britain, where "blonde with an e" is used to refer to both sexes. At this point, I'm scratching my head. Obviously, maybe, this story is going to be driven by wacky logic, the same type of wacky logic that makes people say, "Well, someone has to win the lottery" and "If you don't play, you can't win" as if playing means you're going to win and, anyway, aren't you part of the subset "someone"? So I've got a narrator who is a blonde or non-blonde or bleach-blonde woman or Britain who will commit a crime that may or may not lead to a lottery payoff. All that remains is the writing. For a chance to win a signed copy of SHOT TO DEATH, click on over to http://www.stephendrogers.com/Win.htm and submit your completed entry. Then visit the schedule at http://www.stephendrogers.com/Howto.htm to see how you can march along (backwards). And then come back here to post your comments. Phew.

Wednesday Paperback Cover

Do you ever get the feeling you're being watched?

Book Suggestions

All right people, I find myself in a situation where I have a large amount of money to spend on books. If I don't spend this money, I lose it for insurance reasons, and I'm turning to you, the Internet, to help me. I have money to spend on 250 paperbacks and 150 large paperbacks. It will be reimbursed by my insurance company up to a point. What I"m asking you to do is make comments on what you think I should buy. I have an opportunity here to build a new library from the ground up, so I just don't want crime fiction suggestions (although I do want crime fiction suggestions). I want to know what you think I should own. If you had 400 books to order off Amazon, or buy at your local bookstore, what would they be? Let me know. I need some help here. I'm a little overwhelmed.

Book Trailer for Dave Zeltserman's Killer

The trailer for Zeltserman's forthcoming Killer. Look for my review soon.

Review of Hello Kitty Must Die

Angela Choi's debut novel Hello Kitty Must Die (Tyrus Books, 2010) is a left of center crime story, reminiscent of early Chuck Palanhiuk (You know, the stuff he wrote before Choke, which is the point where he became unreadable). Fiona Yu is a 28-year old corporate attorney. She is intelligent and successful, but still lives at home with her traditional Chinese family, a situation that she finds stifling, to say the least. The book opens with Fiona taking her own virginity with a dildo as a sort of silent rebellion against carrying her family's honor in the form of her hymen. Upon discovering that her hymen is already broken, she seeks out a doctor to reconstruct it so that she can rip it properly. The doctor turns out to be her old friend, Sean, who she hasn't seen since he was sent away to juvie for setting a classmate's hair on fire. Fiona and Sean share a bond borne of mutual alienation, and Sean's behavior hasn't changed much from his school days. Under his influence, Fiona's soon turns her anger outward and begins striking back at those she sees as standing between her and happiness.

The titular Hello Kitty refers to the stereotype of the submissive, quiet Asian woman as personified by the ubiquitous, mouthless Japansese cat, which has found its way onto every product imaginable. Fiona has been ruthlessly pigeonholed her entire life, and it's warped her more than a little. Having to suppress her actual desires and personality in order to play a character has left her angry and bitter. It's easy to see why she wants to lash out, but a little more difficult to see why she doesn't just, say, move to the east coast, where she would be three thousand miles away from all of these crushing expectations, and would likely not have to murder anybody. Fiona's bloodlust makes her less than likeable at times, even if her motives are understandable. The book is more of a black comedy than it is thriller, or typical serial killer novel. Hello Kitty Must Die has its moments, and Tyrus books has done a good job in snagging a title out of left field, breaking away from their usual fare (not that there's anything wrong with their usual fare), and finding a new voice that's worth a listen.