Benedict, a native West Virginian, uses his Appalachian setting to the fullest, and his depiction of men (and it is a book about men, not women) forging a hellish new society in a lawless wilderness gives us a view of human nature as bleak as that in Conrad's Heart of Darkness or Golding's Lord of the Flies. Men in their natural state, are little different from the insanely destructive wild hogs that populate the woods around them. They have the same animal urges, for sex, for blood, and they act on them without thought or consequence. Even Goody, the moral center of the book, is a fighter. He works beating men bloody in bars for cash. The only difference between Goody and the murderous drug runners is that his fights have rules, nebulous as they may be.
The book's climax is an apocalypse, in the true sense of the word, a "lifting of the veil," for Goody, who, after killing one of Tannhauser's lieutenants in a prearranged bar fight, end up on the plantation just as the shit hits the fan. He ends up, well, I won't spoil it for you, but suffice to say he emerges from the experience with a terrible revelation on his lips. Dogs of God is steeped in rural culture and old time religion, and Benedict's characters are the type of creations Flannery O'Connor would have dreamed up had she ended up with a Y chromosone instead of two X's.
(Thanks to Patti Abbot for the invitation to contribute)